Spoilery spoilers ahead! Proceed with caution! Awooooga!
The fourth Amelia Peabody Mystery, The Lion in the Valley, is almost a continuation of the previous book. We pick up where we left off in Amelia’s search for the nefarious Master Criminal, and they pick up their excavations at a site quite near their last season’s dig. For this year, they dig at Dahshoor, the Director of Antiquities graciously giving up his spot to them. Emerson takes all the credit for this rather surprising bit of charity (they are not on good terms with the Director), but Amelia strongly suspects her precocious son was instrumental in arranging this. This is one of those little subtextual things which Ramses does that makes us love him. How many 8-year-old boys would not only realize their mother lusted after pyramids, but then be able to procure them for her?
The Emerson’s return to Cairo is plagued almost immediately by mishaps. Ramses is kidnapped from his parents’ side atop the Great Pyramid (once upon a time, tourists used to be allowed to climb them, sadly). He is rescued almost immediately, but not by Amelia or her formidable husband. Rather, a stranger saves him and returns him to his parents. The stranger, though dressed as the poorest native beggar, is really a fallen Englishman and Emerson hires him on the spot as a caretaker for Ramses. The man is rather truculent, but accepts the position and gives his name only as Nemo.
Later that evening, a rich young heiress who Amelia had interested herself in, is abducted (or flees) from her room in the hotel and her presumed lover is found murdered among the sheets. Amid this cloud of mystery, the Emersons leave for their dig in Dahshoor, though Amelia is convinced the murderer is her old adversary, the Master Criminal. The murdered man was one of his confederates, and had been about to betray him!
Soon after their arrival, they are joined by a young lady claiming at first to be a student-egyptologist. She is in some distress, but Amelia sees through her “disguise” immediately and addresses her as Miss Debenham (the young society lady who vanished from her hotel room) in private. Determining to help the young lady, and her solve her mysterious troubles, Amelia sets about trying to uncover the murderer of the young lady’s presumed lover. She is convinced the notorious womanizer and antiquities thief was murdered by the Master Criminal because he intended to betray that shadowy figure (as it turns out, she was right). There are the usual amounts of Sturm und Drang, dead bodies, antiquities and history lessons as the Emersons proceed along the winding path toward solving their mysteries and discovering the identity of the man known by his criminal associates as Sethos.
This book begins to develop the friendship between Amelia and Abdullah, the Emerson’s Egyptian foreman (reis). Abdullah is in nearly every book until his death much later in the series, but in the first few he is rather interchangeable with any of the other native men, even sometimes a suspect himself in the nefarious goings-on. But now he is beginning to be an established recurring character, and we’re learnign more about him and his extended family (many of whom work for the Emersons and are considered friends). Abdullah himself has a strange relationship with her, partially loving and partially exasperated (rather mirroring the Professor’s feelings, but platonically, for Amelia). On Amelia’s part, this book really marks the point where she begins to feel affection and respect untinged with doubt for Abdullah. It’s also the book where he famously laments “Every year, another dead body!” for the first time.
The Lion in the Valley really explores jealousy and uncertainty on the part of the Professor. In a rather brilliant bit of writing, Peters conveys Sethos’ obvious infatuation with Amelia through her viewpoint, while making it equally clear that she does not quite realize such a thing is possible. The Professor clearly does, and it begins to wear on his nerves until the dramatic moment where Sethos kidnaps Amelia with the aim of forcing her to love him. This is when we finally meet the man as himself and not one of his many disguises (several of whom appear in the last two books). He is an interesting character, and his declaration after defeat that he’ll never bother them again is rather disappointing. Except, of course, he returns later in the series. But, more on that in later posts.
This book’s title is another Ancient Egyptian literary reference to an inscription of Ramses II. The relevant part is in the front of the book (a custom Peters adopts almost exclusively later in the series).
Lord of fear, great of fame,
In the hearts of all the lands.
Great of awe, rich in glory,
As is Set upon his mountain….
Like a wild lion in the valley of the goats.
The title is a clear reference to the revelation of the Master Criminal’s “identity” as Sethos, named after a Pharaoh who took his name from the god Set, who is the Lion in the valley of the Goats. This is a bit like the Ancient Egyptian equivalent of saying “a wolf in sheep’s clothing” and is certainly an apt description for the modern Sethos. He has built his criminal empire on being greatly feared and widely known by the criminal element of Cairo, even those not directly associated with his organization. It should also be noted (as Ramses points out) that Sethos I was the father of Ramses II (for whom Amelia’s son is nick-named). I’ve always believed this is a bit of foreshadowing on Peters’ part of revelations coming many many books later.
I’ve always enjoyed Lion, though this book’s particular set of “cursed young lovers” (Enid Debenham and Donald/Nemo) are rather tepid and a bit beside the point of the rest of the book. This book is really about Amelia’s relationships with The Professor, Sethos, and Abdullah. All three men are hugely important in her life, and Lion begins some of those relationships and develops others. It’s one of my favorite of the earlier books. But then, I have a weakness for Sethos!
Next week, I’ll be doing The Last Camel Died at Noon, skipping over The Deeds of the Disturber. I’m rather unfond of that book (and even skipped reading it in this re-read session), mainly because I loathe with passionate hatred Percy Peabody, Amelia’s noxious nephew who is introduced in the book. He is especially unbearable in Disturber as all the principle characters don’t yet realize his perfidy and he gets away with tormenting Ramses like the disgusting bully he is rather a lot.